From reimagining chinoiserie to seeking “the world of the soul” through nature, so much great art is about seeing our world differently. The exhibitions below put this ideal into practice in various ways. Hilma af Klint’s botanical drawings are beautiful and fascinating departures from her celebrated abstract paintings, but they continue to reflect the artist’s spiritualism. On the other end of the spectrum, Edward Burtynsky’s god’s-eye-view photographs of the Earth’s surface might feel alienating, but Louis Bury finds, in his review, that the artist’s small, intimate images forge a connection between humankind and our ecological reality. Meanwhile, a group show addressing ecology at the Swiss Institute is full of visual surprises and thought experiments. And Monstrous Beauty at The Met is an achievement in extricating the art of chinoiserie from racialized and exoticized tropes. Before you see it, make sure to read Anne Anlin Cheng’s insightful essay on the show. —Natalie Haddad, Reviews Editor


Monstrous Beauty: A Feminist Revision of Chinoiserie

Metropolitan Museum of Art, 1000 Fifth Avenue, Upper East Side, Manhattan
Through August 17

“Underpinning the exhibition is the implicit question: How does something as superficial as style become the foundation for imagining human value and embodiment?” —Anne Anlin Cheng

Read the full article.


Hilma af Klint: What Stands Behind the Flowers

Museum of Modern Art, 11 West 53rd Street, Manhattan
Through September 27

“[The drawings] attest to the persistence of nature in the face of climate change, war, and humanity’s increasing disconnection from the Earth.” —NH

Read the full review.


Edward Burtynsky: The Great Acceleration

International Center of Photography, 84 Ludlow Street, Lower East Side, Manhattan
Through September 28

“For decades, Burtynsky has pursued research leads around the globe to capture yet more examples of civilization’s terraforming.” —Louis Bury

Read the full review.


Spora

Swiss Institute, 38 St Marks Place, East Village, Manhattan
Through May 10, 2026

Spora is subtler than the shows in the Swiss Institute’s galleries, but it lingers in the mind, its interconnections multiplying like spores.” —NH

Read the full review.

Natalie Haddad is Reviews Editor at Hyperallergic and an art writer and historian. Natalie holds a PhD in Art History, Theory and Criticism from the University of California San Diego and focuses on World...

Anne Anlin Cheng is the Louis W. Fairchild ’24 Professor of English at Princeton University and author, most recently, of Ornamentalism and Ordinary Disasters. Her writings have also appeared in The...

Louis Bury is an art writer, author of The Way Things Go and Exercises in Criticism, and Professor of English at Hostos Community College, CUNY.

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