By posting paintings like “American Progress,” the DHS signals its white supremacist beliefs.

Ed Simon
Ed Simon is Public Humanities Special Faculty in the English Department of Carnegie Mellon University, a staff writer for LitHub, and the author of Devil's Contract: The History of the Faustian Bargain (2024).
Bidding Adieu to Art Deco’s Democratic Dream
A century later, the decline of the movement represents the death of the grand designs it traded in.
Donald Trump’s Cultural Revolution
The difference between this revolution and those in Germany, China, or Iran, is not of kind, but of degree, and only so far.
Pope Francis’s Aesthetics of Humility
He chose a simple white cassock over velvet robes, disseminated photos of him kneeling before inmates and refugees, and believed in art as an intrinsic human right.
Clara Peeters’s Still Lifes Are Even Better Than the Real Thing
In her paintings, the 17th-century Dutch painter captured a pure, crystalline moment of time with unnerving verisimilitude.
A Glimpse of Eternity at the Carnegie Museum’s Hall of Architecture
The assembling of these plaster casts of masterpieces more than a century ago must be understood as a work of art in its own right, a bizarre and beautiful triumph.
Gertrude Abercrombie’s American Surrealism
Feted as the “Queen of the Bohemians,” Abercrombie saw herself as a kind of jazz witch forging dream visions into a strange, eerie, and occult body of work.
Donald Trump Brings Back “Degenerate Art”
The president’s obsession with cultural control is evidence of a continued fascist creep, and not just another joke exercise in narcissism.
Julia Warhola Was an Artist in Her Own Right
The calligrapher, illustrator, and mother to Andy Warhol lived with her son in New York City for decades, supporting and even collaborating with him on artistic projects.
How Los Angeles Created the Vocabulary of Its Destruction
The burning of large areas in the city suggests the dusk of America as a dream manufacturer, and the beginnings of a darker story.
The Artist Who Ushered Us From Medieval to Modern
Jacopo Ligozzi gave visual expression to the developing myth of empirical objectivity, of being able to successfully collect, measure, analyze, and categorize.
The Canonization of St. Luigi
The authorities inadvertently transformed a perp walk photo of the accused killer of a healthcare CEO into a Renaissance painting of the arrest of Christ.