A new retrospective of Hamid Zénati is also an important record of an interconnected North African modernism.
Reviews
The Intense Intimacy of Caravaggio
He seems to speak to us directly and clearly, given his love of striking light and shadow. We experience him personally.
Alice Austen’s Pioneering Lesbian Gaze
Her intimate photographs of women include humor and playfulness, and speak to her closeness to her subjects.
An LA Show Breathes New Life Into Fire-Damaged Art
Burn Me! at The Box examines how fire has shaped art and life west of the San Bernardino Mountains — in the last six months and far earlier.
For Glenn Ligon, Language Is Material
An exhibition of Ligon’s well-known works at the Brant Foundation shows how language fails us and confronts us with silence.
Henri Matisse Never Really Left Morocco
Inspired by the colors and textiles around him, the artist’s two trips to Tangier became an impetus for growth and exploration.
Marisol Was Nobody’s It Girl
A retrospective rescues aspects of her career from her long-running reputation as “glamorous girl artist,” including her politics, humor, and sense of self.
Ali Banisadr Paints a World in Calamity
Banisadr makes images that are relentless in their toiling motion — he paints as if bedlam is foundational to the world.
If the US-Mexico Border Could Talk
Echoes from the Borderlands, which transcribes a sound installation tracing the border, insists on the land’s inextricability from the history to which it bears witness.
How Painting Saved One of Our Most Iconic Designers
A visit to Michaels craft store helped restore book jacket designer Peter Mendelsund during a deep bout of depression.
John Wilson Spent a Lifetime Making Blackness Visible
His social realism style was well suited to the difficult subjects, including racism and other forms of oppression, he took on in his art.
Edvard Munch Was a Magician of Light
A show at London’s National Portrait Gallery reveals the artist’s astonishing technical skills, but the wall texts are laugh-out-loud amusing at best and art historically dangerous at worst.