Natalie Weis – Hyperallergic https://hyperallergic.com/author/natalie-weis/ Sensitive to Art & its Discontents Fri, 25 Jul 2025 19:16:50 +0000 en-US hourly 1 https://hyperallergic-newspack.s3.amazonaws.com/uploads/2020/11/cropped-Hyperallergic-favicon-100x100.png Natalie Weis – Hyperallergic https://hyperallergic.com/author/natalie-weis/ 32 32 118955609 How Helen Chadwick Took the Piss Out of Art https://hyperallergic.com/1029563/how-helen-chadwick-took-the-piss-out-of-art/ https://hyperallergic.com/1029563/how-helen-chadwick-took-the-piss-out-of-art/#respond Sun, 27 Jul 2025 20:02:00 +0000 https://hyperallergic.com/?p=1029563 A biography of the late artist, who used everything from raw meat to bubbling chocolate, acts as an anecdote to historical amnesia around her pioneering material experimentation. ]]>

A biography of the late artist, who used everything from raw meat to bubbling chocolate, acts as an anecdote to historical amnesia around her pioneering material experimentation.

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15 NYC Art Shows to See in October https://hyperallergic.com/954814/15-nyc-art-shows-to-see-in-october/ https://hyperallergic.com/954814/15-nyc-art-shows-to-see-in-october/#respond Wed, 02 Oct 2024 22:54:35 +0000 https://hyperallergic.com/?p=954814 Start off the month with thoughtful shows by a range of artists, from established names like Nan Goldin to newcomers like Rachel Martin and trailblazers like Elizabeth Catlett.]]>

Start off the month with thoughtful shows by a range of artists, from established names like Nan Goldin to newcomers like Rachel Martin and trailblazers like Elizabeth Catlett.

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The Surreal Pathos of Charles Steffen’s Portraits https://hyperallergic.com/954652/the-surreal-pathos-of-charles-steffen-portraits-march-gallery/ https://hyperallergic.com/954652/the-surreal-pathos-of-charles-steffen-portraits-march-gallery/#respond Mon, 30 Sep 2024 21:08:05 +0000 https://hyperallergic.com/?p=954652 After suffering a nervous breakdown, the late Chicago artist began to make his surreal graphite and colored pencil portraits on found paper.]]>

After suffering a nervous breakdown, the late Chicago artist began to make his surreal graphite and colored pencil portraits on found paper.

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Dorothea Tanning Explored New Worlds Through Collage https://hyperallergic.com/953118/dorothea-tanning-explored-new-worlds-through-collage-kasmin-gallery/ https://hyperallergic.com/953118/dorothea-tanning-explored-new-worlds-through-collage-kasmin-gallery/#respond Wed, 25 Sep 2024 21:42:00 +0000 https://hyperallergic.com/?p=953118 Tanning’s practice shows that there is always another door to open, a new world to explore, and that art offers us another possible existence.]]>

Tanning’s practice shows that there is always another door to open, a new world to explore, and that art offers us another possible existence.

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Kathia St. Hilaire Collages the Complex History of Haiti https://hyperallergic.com/946020/kathia-st-hilaire-collages-the-complex-history-of-haiti-clark-art-institute/ https://hyperallergic.com/946020/kathia-st-hilaire-collages-the-complex-history-of-haiti-clark-art-institute/#respond Mon, 09 Sep 2024 20:04:53 +0000 https://hyperallergic.com/?p=946020 Like the narratives she portrays, St. Hilaire’s artistic technique is layered and complex, and reflects vernacular cultural aesthetics and practices. ]]>

Like the narratives she portrays, St. Hilaire’s artistic technique is layered and complex, and reflects vernacular cultural aesthetics and practices.

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There’s Something Toxic About Megan Bickel’s Landscapes https://hyperallergic.com/934748/something-toxic-about-megan-bickel-landscapes/ https://hyperallergic.com/934748/something-toxic-about-megan-bickel-landscapes/#respond Wed, 17 Jul 2024 20:32:52 +0000 https://hyperallergic.com/?p=934748 Knowledge, visual perception, and the disruption of both by new technologies are at the heart of artist’s multimedia paintings.]]>

Knowledge, visual perception, and the disruption of both by new technologies are at the heart of artist’s multimedia paintings.

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Remembering a Pioneer of Louisville’s Black Avant-Garde https://hyperallergic.com/847464/remembering-robert-l-douglas-a-pioneer-of-louisville-black-avant-garde-speed-art-museum/ https://hyperallergic.com/847464/remembering-robert-l-douglas-a-pioneer-of-louisville-black-avant-garde-speed-art-museum/#respond Thu, 28 Sep 2023 20:51:59 +0000 https://hyperallergic.com/?p=847464 When White-dominated arts institutions would not offer them opportunities, Robert L. Douglas and other Louisville Black artists organized together to create their own art communities.]]>

When White-dominated arts institutions would not offer them opportunities, Robert L. Douglas and other Louisville Black artists organized together to create their own art communities.

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Museum Hosts Community Iron Pour for People Affected by Gun Violence https://hyperallergic.com/742207/museum-hosts-community-iron-pour-for-people-affected-by-gun-violence/ https://hyperallergic.com/742207/museum-hosts-community-iron-pour-for-people-affected-by-gun-violence/#respond Wed, 22 Jun 2022 20:31:00 +0000 https://hyperallergic.com/?p=742207 Participants created artworks that will be exhibited at the Speed Art Museum in Louisville, Kentucky.]]>

Participants created artworks that will be exhibited at the Speed Art Museum in Louisville, Kentucky.

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Sanford Biggers Cracks the Code of Quilts https://hyperallergic.com/740532/sanford-biggers-cracks-the-code-of-quilts/ https://hyperallergic.com/740532/sanford-biggers-cracks-the-code-of-quilts/#respond Sun, 19 Jun 2022 20:04:00 +0000 https://hyperallergic.com/?p=740532 Billed as a “survey of quilt-based works,” Sanford Biggers: Codeswitch feels less like an overview of one section of the artist’s oeuvre and more like a record of his creative process overall.]]>

Billed as a “survey of quilt-based works,” Sanford Biggers: Codeswitch feels less like an overview of one section of the artist’s oeuvre and more like a record of his creative process overall.

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Joy and Terror Coexist in Vian Sora’s Unsettling Paintings https://hyperallergic.com/721172/joy-and-terror-coexist-in-vian-soras-unsettling-paintings/ https://hyperallergic.com/721172/joy-and-terror-coexist-in-vian-soras-unsettling-paintings/#respond Wed, 30 Mar 2022 20:57:45 +0000 https://hyperallergic.com/?p=721172 The capacity to reside in joy and terror in equal measure gives Sora's paintings their unsettling power, a brutal acknowledgment that creation coexists with destruction.]]>

The capacity to reside in joy and terror in equal measure gives Sora's paintings their unsettling power, a brutal acknowledgment that creation coexists with destruction.

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An Artist Goes Home to Her Appalachia https://hyperallergic.com/708864/an-artist-goes-home-to-her-appalachia/ https://hyperallergic.com/708864/an-artist-goes-home-to-her-appalachia/#respond Thu, 03 Feb 2022 22:06:00 +0000 https://hyperallergic.com/?p=708864 The paintings that form the heart of Ceirra Evans: It’s Okay to Go Home offer a more complex and generous response to the stale and sneering stereotypes of Appalachia. ]]>

The paintings that form the heart of Ceirra Evans: It’s Okay to Go Home offer a more complex and generous response to the stale and sneering stereotypes of Appalachia.

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The Graceful Instability of Kiah Celeste’s Art https://hyperallergic.com/678352/kiah-celeste-before-it-falls-apart-kmac-museum/ https://hyperallergic.com/678352/kiah-celeste-before-it-falls-apart-kmac-museum/#respond Wed, 22 Sep 2021 20:37:00 +0000 https://hyperallergic.com/?p=678352 Celeste’s sculptures all rely on natural forces to achieve balance, and thus are perpetually on the precipice of collapse.]]>

Celeste’s sculptures all rely on natural forces to achieve balance, and thus are perpetually on the precipice of collapse.

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Together in Peace and Protest https://hyperallergic.com/665367/diana-settles-together-in-peace-and-protest-institute-193/ https://hyperallergic.com/665367/diana-settles-together-in-peace-and-protest-institute-193/#respond Sat, 31 Jul 2021 04:03:00 +0000 https://hyperallergic.com/?p=665367 Not all of the scenes Dianna Settles paints are pleasant, but that seems to be the point: for better or worse, we are undeniably yoked in our collective experience of being human.]]>

Not all of the scenes Dianna Settles paints are pleasant, but that seems to be the point: for better or worse, we are undeniably yoked in our collective experience of being human.

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