Marisa J. Futernick creates fictions inspired by the Catskills, a vacation destination for midcentury Jewish families.

Years before her feminist performance art, she channeled her feelings through a copy machine.

In paintings, ceramics, and installations, Rachel Hakimian Emenaker depicts scenes of gentrification, religion, and homeland.

From airbrushed lettering of lowriders to silkscreen and sign-painting, an exhibition flexes the state’s wide-ranging visual language.

Queering Digital is a refusal to be silent or retreat from the government’s tyranny through works that assert the artists’ identities and politics.

The levity of this year’s edition feels purposeful: Not only will the show not be marred by tragedy, but it will also remind attendees of art's potential to express joy.

Invisibility: Powers & Perils raises exciting questions around racial, technological, and ecological invisibility, and leaves us asking for more.

Beuys tackled masculinity through humor and irreverence — but the subjects he parodied are increasingly a fixation for an oppressive segment of the population. 

Out of Site focuses on the scientific tools used to map the West’s resource-rich landscape, and how those technologies have become forces of destruction.

The artists in Crossing Over were inspired by a century of monumental discoveries from the scientists who have made Caltech one of the world’s most elite research institutions.

Throughout her career, she collaborated with scientists, doctors, and animals, blurring the boundaries between art projects and scientific experiments.

No Prior Art at the Los Angeles Public Library shows off inventions and patents from unlikely creators and allows audiences to become inventors.

The group exemplifies what a decolonial art practice can be: honoring all contributors rather than crediting one artist with sole authorship of a work.

Suturing the Border shows how an international group of artists built relationships along this nebulous zone dividing Mexico and the United States.

Bodily Autonomy takes advantage of humor and hyperbole to demonstrate a very real world in which biosurveillance is prevalent overtly and covertly.

Katherine Behar’s automated office machines simply pantomime labor, just like many bored office workers after they’ve fulfilled their daily email quota.

For some artists, erasure is a way to restore dignity.

EXPORT’s urban interventions in her exhibition Embodied alert us to the risks of being read as femme in a highly visible, public space. 

There’s nothing still in Melinda Braathen’s still lifes, which are lush and alive, growing, pulsing, vibrating.

The dizzying hallways and poolside cabanas of Hollywood’s Roosevelt Hotel come alive with art that leans into the lowbrow.

The exhibition brings together feline-loving artists from around the world to raise money for cat charities.

The Feminist Art Program at CalArts produced some of the most well-known second-wave feminist artists and a diverse third-wave movement.

Her spotlight on elderly women’s sexuality and energy challenges the images society often projects onto grandmothers as feeble and non-sexual.

Carabaño’s rippling, organic shapes curve into ethereal portals that feel like they could transport viewers into another dimension.

As Canary Test’s owners interacted with their green-thumbed neighbors, they observed that the artistry behind floral arrangement was not unlike sculpture.

The Oi! Spotlight artists accept that ecology has deteriorated, but rather than ask viewers to reverse human action, they depict ways of adapting in the future.

The photographer illuminates a chapter of Jewish history that, until recently, has been obscured by scholars.

Artists have long been drawn to California’s sun-cloaked landscapes. But now, this idyllic light might be fading against the backdrop of social inequalities and rising air pollution.

Rather than focusing on death and suffering, a clichéd reality in Jewish culture, Peter Krasnow chose to paint vibrant, light-filled compositions.

The Greensboro Contemporary Jewish Museum in North Carolina could be used as a template to spotlight US regions where Jewish populations are present, but their stories are unknown.

Alejandro Zohn shaped public space in Guadalajara, Mexico, but beyond its borders, few know about him.

Celebrating its 10th anniversary, the festival explored intergenerational relationships, the preservation of Jewish traditions, and the lingering trauma of the Holocaust.

Indonesian artist Mulyana crafts a tactile, mystical world in which fish, whales, and coral reefs coexist with sea monsters.

Forti started as a painter so it’s only natural that she would transform other artists and cultural workers into dancers.

Attending the artist CHOKRA’s performance introduced me to oud’s original purpose as a sacred healing tool that helps one recover from illness, mentally and physically.

In the artist’s first feature-length film, Ladies Lair Lake, the choice to not have children is presented as valid and dignified.

The art displayed in the rooms of Hollywood's Roosevelt Hotel this year proves that Minimalism is officially dead.

Yes, you'll have to cross the 405 after 3 pm, but we promise it'll be worth it.

Her solo exhibition at the Los Angeles institution demonstrates how natural light can turn an overlooked, everyday setting into a sublime landscape.

Though Holt's photos come from the mid-20th century, they anticipate 21st-century aesthetics and could be a backdrop in an influencer’s desert pilgrimage.

In the southwestern LA County city’s annual art event, local artists and newcomers explored spiritualism, freedom, and everyday slices of life.

With The Metabolic Studio, artist Lauren Bon views her work as an act of reparation, an attempt to reverse the colonization of Southern California.

The New Delhi-based gallery and performance space Party Office wants Documenta to offer a public apology after artists reported incidents of racism and transphobic harassment in Kassel.

On the day of the Supreme Court’s decision to undo 50 years of constitutional rights to abortion, artist Elana Mann's “protest rattles” feel especially poignant and urgent.

Just as LeWitt used minimalism to distill geometric forms, Darboven used it to expose the raw structure of time.

Through jubilant performances and speeches, the city's first-ever Blasian March connected the large but disparate communities.

Sprawling across the Joshua Tree region, nine site-specific works consider the ways in which people have relocated to the desert, destroying what came before them, and cultivating new life.

The Port of Long Beach Recordings is a soundtrack to the globe's hunger for commodities, the ever-expanding growth of imported products, and the enormous system of infrastructure still insufficient to process it all.

Self-taught artists were invited to exhibit, and sell, their fuzzy stacks of pancakes and tasseled tapestries.

Garner appeared on the talk show circuit in the early 1980s as an eccentric pop culture figure who was never fully understood.