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Noah Fischer's work highlights intersections between economic and social inequity and art institutions. His sculpture, drawing, performance, writing, and organizing practice fluctuate between object making... More by Noah Fischer
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The institution said that “a future and updated exhibit will include all impeachments,” but the timing of the alteration has raised questions.
By posting paintings like “American Progress,” the DHS signals its white supremacist beliefs.
How does Art Bridges fund museum projects that move art out of storage and into communities?
Residencies, fellowships, grants, and open calls from Foundwork, the Lower Manhattan Cultural Council, Princeton University, and more in our monthly list of opportunities for artists, writers, and art workers.
The Bay Area artist integrated chalk notation and assemblage on his idiosyncratic blackboard surfaces, plumbing the depths of lived experience and racial identity.
This week: a new museum of Chumash history and culture, Sally Ride gets the doc she deserves, the future of fireflies, the beauty of “ugly” Instagram cakes, and much more.
“I like renting short-term studios in shared spaces — it makes me feel free.”
With a focus on Parisian views and architecture, the artist’s new series is on view in Menlo Park, California, through August 26.
At the Brooklyn Public Library, an exhibition on queer Finnish artist Tove Jansson’s beloved characters reminds visitors of all ages that justice and joy are within our grasp.
Daniel Giordano’s eccentric installations, Lynne Tobin’s indomitable linework, Brandon Thomas Brown’s masterful humanity, and more.
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Beautifully and thoughtfully done; thank you.
I hope you won’t mind my mentioning an ongoing exhibition of prints at the Metropolitan College of New York that presents both a review of some of the accomplishments of the “working groups” that arose in the Occupy camps and a series of photos of the OWS-NY camp. Affinity groups like the Alternative Banking Group, Occupy Sandy, the Debt Collective, and Occupy the SEC had a major impact for the better in ways that continued long after the camps were evicted; some of their stories, briefly overviewed in the exhibition, are both inspiring and possibly instructive. The exhibition is on view through the end of the year on MCNY’s two campuses, one blocks from Zuccotti Park and the other in the Bronx; details at https://www.mcny.edu/blog/2021/09/06/mcny-galleries-occupy-wall-street/?fbclid=IwAR3aImCTurXuZibcAv33Gwqs1i30MDdTk7j4-BZhjZtHu5HTRtNPw_-asNc .