From local concerns in the Bronx to global issues in Queens, plus a trip to see Indigenous art in New Jersey, our favorite art is far-reaching right now.

Julia Curl
Julia Curl is a PhD student in the Department of Art and Archaeology at Princeton University, where her research focuses on avant-garde film and photography.
Five New York City Shows to See Right Now
From historical shows about labor to investigations of color to John Singer Sargent’s renderings of hands, we’re enjoying a variety of art this week.
The Trailblazing 20th-Century Photographer History Forgot
Consuelo Kanaga, one of the US’s first female photojournalists, counted Alfred Stieglitz, Dorothea Lange, and Berenice Abbott as her peers.
The Contested History of American Labor
An exhibition shows that our beleaguered present is not apocalyptically singular but the continuation of one long, long fight.
Five New York City Art Shows to See Right Now
From Aaron Gilbert’s take on capitalism to Weegee’s distortions of celebrity culture, these exhibitions all critique or reflect the world around us.
Weegee, the Pop Artist That Never Was
By embracing horror through the larger-than-life persona he constructed, the photographer occupies an odd middle ground between the news media and its parody.
Science/Fiction Is a Botanical Daydream
This photo history of plants tackles the problem of how to pull ourselves out of the blind, anthropocentric march toward climate disaster.
What Comes After the End?
John Divola asks us: What am I looking at? Is it real? Where does that distinction now lie, given the technology required to make a photograph now?
Danny Lyon Lived His Photography
The photographer’s autobiography takes us on a long voyage from East to West and back again without smoothing over the potholes in the road.
How Robert Frank Pushed the Boundaries of Photography
A refreshing retrospective demonstrates that, far from being overshadowed by The Americans, Frank was only getting started with it.
Eileen Agar’s Surrealist Sea
“Surrealism for me draws its inspiration from nature,” writes Eileen Agar in her memoir A Look at My Life.
How Commercial Photography Sold Modernism
The Real Thing at the Met Museum shows that the advertising tactics of commercial studios were in dialogue with avant-garde art in the 1920 and ’30s.