Posted inArt

Good Intentions and Big Ideas: Feel Good Grants That Exploit Artists and Reduce Arts Funding

The people behind the ZERO1 Fellowship got one thing right — “public policy is increasingly ill-equipped to manage a society with the kind of boundless creativity that technology like the Internet enables.” What they seem to get wrong is the notion that this is a grant program that serves to directly benefit the arts, or at least one artist.

Posted inPerformance

John Waters Does Vegas?

While skimming through my Facebook news feed last week, I noticed that Murray Hill had posted a picture of himself with Patti Lupone in her dressing room, following a performance of her show Far Away Places, which ran for a couple of nights at the new lounge/cabaret space 54 Below, near Times Square. Just below the picture Murray had a note about the resurgence of nightclub acts he’s noticed of late.

Posted inBooks

Eclectic Influences: The Artists Space Bookstore

It’s actually been going on for about two years, but like many visitors to the Artists Space gallery prior to May 2012, you may not have noticed the bookshop project. Now that it’s been placed right inside the entrance of the organization’s new event space at 55 Walker Street in Tribeca, it’s impossible to miss the lengths of shelving that line the walls around you.

Posted inArt

Can We Queer the (Art) World, and Why Should We?

I’m going to start this essay with the conclusion. Why should we be looking for different ways of thinking about and living in the world? Because many of the dominant political social, and intellectual structures that currently underpin our society have proven themselves to be colossally flawed, so we need to begin looking for different ways of doing and thinking about things.

Posted inArt

New Data Reveals Artists Aren’t Gettin’ Paid

Tonight, the group W.A.G.E. (Working Artists and the Greater Economy), will release the results of the artists survey they conducted with Artists Space, a gallery in Soho. The survey found that 58% of the nearly 1,000 artists interviewed (including visual and performing artists) received no compensation at all for exhibiting or presenting their work at nonprofits in New York.

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