It fails to directly address the German state’s repression of pro-Palestine expression, even as many of its works model “safer” forms of resistance.

Poetics of Power, grounded in feminist critique, imagines a world free from militarized, male-dominated spheres of power and opposed to all forms of exploitation.

Why does radical feminist art pose such a danger to political power, and what can these artistic strategies achieve in increasingly unpredictable times? 

The apparent humor in Wurm’s current retrospective in Vienna camouflages a cultural and historical pessimism that recurs in his art.

One of the inventors of modern collage, Höch’s sociopolitical imagery skewered the politicians and culture of early and mid-20th-century Germany.

The Lebanese-American artist speaks to the fragmented cultural spaces of regions host to ancient civilizations, which merge with her own displacement.