An exhibition emphasizes the fluidity between Brazil’s Constructivist, Concrete, and Neo-Concrete movements.

Ela Bittencourt
Ela Bittencourt is a critic and cultural journalist, currently based in São Paulo. She writes on art, film and literature, often in the context of social issues and politics.
Shu Lea Cheang’s Art of Hacking
Cheang is concerned with the ways technology enables commodification and control, from communication to nourishment to sex.
Do We Still Dream of a Cyborg Future?
An exhibition spanning the 1960s through ’90s prods the potentialities and limits of a cyborgian body.
The Riotous Variety of Brazilian Modernism
A show of 10 artists working from the 1910s to ’70s demonstrates that the movement was much more diverse than its most notable names suggest.
An Artist’s Songs for the Armenian Diaspora
With the stringed qanun as its beating heart, Silvina Der-Meguerditchian’s show explores how music crosses boundaries and preserves collective memory.
The Artist Bending Modernism Toward Mysticism
Marina Perez Simão systematizes nature’s motifs and distills them into interlocking volumes and color bands in paintings as cerebral as they are sensuous.
Surrealism’s Legacy of Antifascist Activism
A show at Munich’s Lenbachhaus museum is an urgent study in the meaningful art-political networks that stressed solidarity and unity over isolation.
Sheila Hicks’s Faith in the Latent Power of Materials
An invigorating survey of mostly recent works by the American artist at Kunsthalle Düsseldorf is a feast of rhythmic form and pulsating color.
Lynn Hershman Leeson Predicted Our Digital Hellscape
The video art pioneer has been warning us from the start that the more advanced digital tech becomes, the more vigilant we must all be against its lurid seductions.
For Yoshitomo Nara, Home Is Where Unease Is
The artist’s work revolves around the notion of displacement, some of it cultural, much of it the broader angst and rebellion of adolescence.
Clarion Calls to Civic Justice at the Venice International Film Festival
Directors Andres Veiel, Petra Costa, and Errol Morris to engage with the contemporary politics of Germany, the United States, and Brazil.
Pia Arke’s Archives of Arctic Colonization
Arke’s art calls forth memories of Greenlandic Inuit life and reinscribes them with the reality of the body against its representation by White colonizers.