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The Siren is back! We have dedicated issue #2 to a satirical reflection on the first 100 days of MAGA: malicious mass firings, big-headed Broligarchs, despicable deportations, dodgy DOGE, and the whacked-out attacks at so-called wokeness. Have a good laugh with us, but please don’t laugh this all off. What’s happening is worse than horrible. So read up and rise up! —Coco Fusco
Coco Fusco is an artist and writer and professor of art at The Cooper Union. More by Coco Fusco
Noah Fischer's work highlights intersections between economic and social inequity and art institutions. His sculpture, drawing, performance, writing, and organizing practice fluctuate between object making... More by Noah Fischer
Pablo Helguera is a visual and performance artist living in New York. From 1991 to 2020, he worked in art museums developing and overseeing museum education programs, including the Museum of Contemporary... More by Pablo Helguera
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The institution said that “a future and updated exhibit will include all impeachments,” but the timing of the alteration has raised questions.
By posting paintings like “American Progress,” the DHS signals its white supremacist beliefs.
How does Art Bridges fund museum projects that move art out of storage and into communities?
Residencies, fellowships, grants, and open calls from Foundwork, the Lower Manhattan Cultural Council, Princeton University, and more in our monthly list of opportunities for artists, writers, and art workers.
The Bay Area artist integrated chalk notation and assemblage on his idiosyncratic blackboard surfaces, plumbing the depths of lived experience and racial identity.
This week: a new museum of Chumash history and culture, Sally Ride gets the doc she deserves, the future of fireflies, the beauty of “ugly” Instagram cakes, and much more.
“I like renting short-term studios in shared spaces — it makes me feel free.”
With a focus on Parisian views and architecture, the artist’s new series is on view in Menlo Park, California, through August 26.
At the Brooklyn Public Library, an exhibition on queer Finnish artist Tove Jansson’s beloved characters reminds visitors of all ages that justice and joy are within our grasp.
Daniel Giordano’s eccentric installations, Lynne Tobin’s indomitable linework, Brandon Thomas Brown’s masterful humanity, and more.
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This piece needs to be part of the curriculum and history book, for our children, hopefully as an immunization against the toxicity of power.