Director Ibrahim Nash’at spent a year watching the Taliban transition from insurgency back to governance.

Dan Schindel
Dan Schindel is a freelance writer and copy editor living in Brooklyn, and a former associate editor at Hyperallergic. His portfolio and links are here.
Verbatim Reenacts Life With a Twist
The film series showcases how different artists have used reenactments, preserving dialogue and audio but playing with every other element.
You Can’t Finish This Brian Eno Doc in a Single Lifetime
An algorithm organizes a unique ordering of scenes for each screening, meaning there are millions of versions of the film.
Shunga Might Just Convince You That Pornography Is Art
Director Junko Hirata delves deep into the history and influence of the pornographic art form without cheap tittering at its illicit imagery.
There’s Something for Everyone at This Year’s Japan Cuts
One of the most underrated film festivals in New York, each year it presents an accessible and engaging collection of recent Japanese cinema.
Power Traces the History of Policing in the US
Following the 2020 Black Lives Matter protests, filmmaker Yance Ford was struck by the question: “What, exactly, do the police exist to do?”
A Japanese Reality Show’s Dark Legacy
Livestreaming, confessional monologues, and subjects’ willingness to let mass audiences surveil them all started here.
Half a Century of American Culture Through the Lens of One Photographer
James Hamilton’s career conveniently mirrors the changing fortunes of journalism as an industry.
Nigeria’s Youth Fight for a Better Future
Alain Kassanda’s Coconut Head Generation is a testament to how young people find themselves through each other no matter the place, times, or means.
Benshi Performers Pass Along a Way of Thinking
Ichirō Kataoka and Kumiko Ōmori tell Hyperallergic about the modern-day conventions and challenges of the Japanese art of narrating silent films.
Art Made for Nobody, and Other Video Essays to Watch This Month
This April: video essays on Palestine, AI, Nathan Fielder, and more.