We want to take a break from our regularly scheduled posting and keyboard tapping to thank our sponsors!
This month’s sponsors are Christie’s, Pernod Absinthe, Pittsburgh’s Mattress Factory museum and The Association of Professional Art Advisors. Click through to learn more.
As another step in its history of supporting the art community, Pernod Absinthe has kicked off its 2nd annual contest to find great original art inspired by both the classic liqueur and the year 1805, when Pernod Fils began distilling in France.
The Creator Of Art Contest is an open call for artists to create their own Pernod-inspired works, just as the absinthe-aficionado Impressionists did in their own day. Art history superstars Henri Toulouse-Lautrec, Picasso and Van Gogh were all big fans of the drink.
“William Kentridge: Anything Is Possible” is a new hour-long film from ART 21 that gives viewers an intimate look into the mind and creative process of William Kentridge, the South African artist whose acclaimed work has made him one of the most dynamic and exciting contemporary artists working today.
Art 21 is hosting a special premiere screening at MOMA in New York City on Monday October 18th and they are giving Hyperallergic readers a few chances to win a pair of tickets to this special event.
We would like to take a moment to thank all of our amazing September sponsors: 20×200, apexart, and The Film Society of Lincoln Center.
Our readers know Hyperallergic is the blogazine of choice for intelligent, funny & insightful discussion about art. Our sponsors know that too. Once a month we introduce our sponsors to our readers and let them know a little more about who they are and what they do. You can say thanks to the companies that support Hyperallergic by tweeting about them and following them on Facebook.
Presented by Film Society of Lincoln Center & New York Film Festival
Curated by Mark McElhatten and Gavin Smith.
View the entire line up
For its 14th year, Views offers an expanded edition, presenting four nights of New York and world premieres from the frontiers of innovative moving image making. Highlights include Robert Beavers’s The Suppliant, James Benning’s Ruhr, Nathaniel Dorsky’s Pastourelle, a restoration of Manoel de Oliveira’s Rite of Spring, and Phil Solomon’s three-screen American Falls.
apexart presents: “You can’t get there from here but you can get here from there” (YCGTFH), a new show curated by Courtenay Finn and featuring work by: Sophie Calle, Patty Chang, Rodney Graham, Joachim Koester, Kris Martin, Bruce Nauman, and Allen Ruppersberg. It opens today — Wednesday, September 15 (6-8pm).
50 SHORT FILMS, ARTWORKS, BANDS, DJS, EDIBLE ARTWORKS, PERFORMERS, WRITINGS & ONE BIG MEAL
The Last Supper Salon is a multimedia, project-based collaborative festival that addresses the act of consumption. Viewing the creative process as a cyclical, communally interactive conversation between media, it is a nonprofit benefit event for the Food Bank of New York City. Purchase your advance tickets by September 18 ($10 w/ 3 or more canned food donations, or $15 w/o)
Join NURTUREart’s Artist Registry to submit work for the 2010 NURTUREart Benefit at Ziehersmith Gallery and have your work viewed by prominent art world figures Dan Cameron, Ceci Moss, Jane Panetta, and Krista Saunders.
Our readers know Hyperallergic is the blogazine of choice for intelligent, funny & insightful discussion about art. Our sponsors know that too. Once a month we introduce our sponsors to our readers and let them know a little more about who they are and what they do. You can say thanks to the companies that support Hyperallergic by tweeting them or following them on Facebook.
Don’t miss this rare opportunity to experience 30 beautiful, provocative, and poetic avant-garde films that are part of “21st Century Limited: Experimental Films 2000-2009” on July 18th and 25th. Drawn from Film Comment magazine’s best-of-the-decade poll, six Sunday programs in July will showcase some of the most memorable experimental works from the first decade of […]
If the voice’s call is the origin of speech – with its ability to hail, summon, or bestow a name – then perhaps the hand, raised to touch, or signal at a distance, is its silent counterpart. These two gestures form a call and response that provides the structure for stylus, a project created by Ann Hamilton for the Pulitzer Foundation for the Arts.
Conceived in response to the Pulitzer’s mission to be both a sanctuary and laboratory, the installation is structured around live acoustic elements and will be punctuated by participatory workshops which will occur throughout the project. This installation offers many opportunities for visitors to interact directly with Ann Hamilton’s work.
The Santo Foundation recognizes and assists the careers of individual visual artists. The mission is to provide individual artists with grants, travel stipends, and subsidized artist live/workspace. Graduate students, and emerging artists to mature artists are eligible for consideration. Open to all US and international artists. A minimum of two $3,500.00 grants will be awarded in 2010. Application submissions began March 15, 2010 and will close on June 30, 2010. Candidates are required to apply online through CaFé (callforentry.org).
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