What would it mean for the survival of the planet if we were to take seriously Black feminist visions of climate justice in which coexistence with nature is prioritized over environmental plunder?

Alexandra M. Thomas
Alexandra M. Thomas is an assistant professor of art history at Fordham University. She writes and teaches black and queer feminist art histories of Africa and the African diaspora.
Elizabeth Catlett’s Life as a Revolutionary Artist
A retrospective at the Brooklyn Museum conveys that Catlett’s artistic practice was inseparable from her dedication to Black and Mexican revolutionary politics.
Elizabeth Catlett’s Steadfast Radicalism
In the catalog for her Brooklyn Museum show, scholars explore how the Black revolutionary artist lived out her beliefs after her exile from the United States.
How Hair Weaves Us Together
Styling Identities pushes the boundaries of museum display to incorporate local communities and global art through the theme of hair.
Nona Faustine Unearths New York’s Buried History of Slavery
Faustine’s White Shoes photography series demands a reckoning with the histories and afterlives of slavery, settler colonialism, and genocidal violence.
The Anti-Spectacle of the Black Avant-Garde
Aliyyah Abdur-Rahman’s Millennial Style considers the political utility of Black abstraction and related forms to refute false narratives of progress.
14 Art Books to Read This Summer
From an occult Renaissance manuscript and the history of eyeliner to Salman Rushdie’s new book, our staff and contributors have got you covered.
A Multi-Generational Gee’s Bend Story, Told by One Quilt
Stitching Love and Loss narrates the history of the Pettway family, the community of Gee’s Bend, and the entwined tragedies of slavery and Indigenous dispossession.
Black Resistance According to Angela Davis and Tschabalala Self
A radical communion of painting and writing, Art on the Frontline reckons with the leftist political potential of Black visual and expressive culture.
Mourning and Perseverance Stitched Into South African Tapestries
Members of the Keiskamma Art Project experiment with needlework to narrate pertinent histories, moments of communal grief and of vitality.
The Poetry of Black Daily Life in the Art of Whitfield Lovell
Each portrait in Lovell’s current exhibition is a lens through which to consider the complex humanity of Black subjectivity in American history.
A Transgenerational and Intercultural Look at Abstract Painting
“At the root of these works is the issue of poetics — painterly and textual for Jablon, dynamic, multicolor geometry for Odita.”